Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,  Related Paintings of Cano, Alonso :. | St Isidore and the Miracle of the Well (mk08) | St James the Greater | St.Fohn the Evangelist's Vision of the Heavenly Ferusale | St James the Major (mk05) | The Vision of St Bernard |
Related Artists:
DALEM, Cornelis van
Flemish painter (active 1535-1576)
Vigilius Eriksen
(b Copenhagen, 2 Sept 1722; d Copenhagen, 23 or 24 May 1783). Danish painter, active also in Russia. He was apprenticed to the portrait painter Johann Salomon Wahl in Copenhagen. In 1755 he competed unsuccessfully for the gold medal at the Royal Academy of Art in Copenhagen with a historical painting, Lot and his Wife (untraced). In a letter he complained that the rules did not allow him to enter a portrait, a genre more suited to his talents. Presumably in 1756 he completed the portraits of the registrar of the royal art collections, Lorenz Spengler and his Wife (Copenhagen, Stat. Mus. Kst).
E.Phillips Fox
Australian Naturalist Painter, 1865-1915 Australian painter and teacher. From 1878 to 1886 he trained at the National Gallery of Victoria Art Schools, Melbourne, and in 1887 left to study in Europe. In Paris he attended the Academie Julian and was taught by Jean-Leon Gereme at the Ecole des Beaux-Arts and by the American artist T. Alexander Harrison (1853-1930). He was involved with the plein-air artists at Etaples, Pas-de-Calais, and in Brittany and also visited Giverny, where from 1883 Monet was living. By 1890 he had moved to England, to the artists' colony at St Ives, Cornwall. In 1892 he returned to Melbourne where he chiefly painted portraits and landscapes. He was a member of the Victorian Artists' Society, exhibiting with them between 1892 and 1900. In 1893 he established the lively Melbourne Art School with Tudor St George Tucker (1862-1906). There an academic training coupled with a modified Impressionist technique was taught, as can be seen in Fox's painting the Art Students . In 1901 he left for London, having been commissioned by the Trustees of the National Gallery of Victoria to paint the Landing of Captain Cook at Botany Bay. After his marriage in 1905 to the artist Ethel Carrick, he and his wife settled in Paris and remained there until 1913.